Table of Contents
Articles
| READING THE HELICON COLLAGE: HIDDEN STORIES IN THE COLLECTED FRAGMENTS | |
| Elena Domínguez Romero |
| TRANSFORMING THE WILDERNESS INTO GOD’S CREATION: JOHN JAMES AUDUBON IN A CANADIAN SPACE | |
| María Jesús Hernáez Lerena |
| “BIG EMPTY NEGROES” AND “GAY, EXCITING” MEXICANS: RECONTEXTUALIZING FELLAHEEN IDENTITIES IN JACK KEROUAC’S ON THE ROAD | |
| Eftychia Mikelli |
| LAS METÁFORAS PROVISIONALES DE LA POSTMODERNIDAD: LA OBRA DE WILLIAM GASS | |
| Belén Piqueras |
| ONCE WERE WARRIORs, BUT HOW ABOUT MAORITANGA NOW? NOVEL AND FILM AS A DIALOGIC THIRD SPACE | |
| Cornelis Martin Renes |
| THROUGH THE EYE OF A POSTMODERNIST CHILD: IAN MCEWAN’S "HOMEMADE” | |
| Jorge Sacido Romero, Laura Mª Lojo Rodríguez |
| FAST FORWARD TO THE PAST: REVISITING TRAUMA AFTER THE FALL | |
| Carolina Sánchez-Palencia, Manuel Almagro |
Book Reviews
| HUIR DEL LABERINTO: CRECER EN IRLANDA DEL NORTE:UNA MIRADA LITERARIAED | |
| Constanza del Río |
| HAUNTING AND SPECTRALITY IN NEO-VICTORIAN FICTION: POSSESSING THE PAST | |
| María del Pilar Royo Grasa |
| THE MULTI-PROTAGONIST FILM | |
| Beatriz Oria Gómez |
| CHAOS AND MADNESS: THE POLITICS OF FICTION IN STEPHEN MARLOWE’S HISTORICAL NARRATIVES | |
| Nieves Pascual |
| ALEJANDRO GONZÁLEZ IÑÁRRITU | |
| Ana Moya, Gemma López |
| NEO-VICTORIAN TROPES OF TRAUMA .THE POLITICS OF BEARING AFTER-WITNESS TO NINETEENTH-CENTURY SUFFERING | |
| Isabel Mª Andrés Cuevas |
| TRAGEDY AND OTHERNESS: SOPHOCLES, SHAKESPEARE,PSYCHOANALYSIS | |
| José Ángel García Landa |
| CIVILIZING AMERICA: MANNERS AND CIVILITY IN AMERICAN LITERATURE AND CULTURE | |
| Mohan Ramanan |
Download Full Issue
| Miscelanea Journal: Volume 44, 2011 | |
ISSN: 1137-6368